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The year of magical thinking  Cover Image Book Book

The year of magical thinking

Didion, Joan (Author).

Record details

  • ISBN: 9781400043149
  • ISBN: 140004314X
  • Physical Description: print
    227 p. ; 21 cm. : ill.
  • Edition: 1st ed.
  • Publisher: New York : Alfred A. Knopf, 2005.
  • Badges:
    • Top Holds Over Last 5 Years: 5 / 5.0
Subject: Didion, Joan
Dunne, John Gregory -- 1932-2003 -- Death and burial
Didion, Joan -- Marriage
Didion, Joan -- Family
Novelists, American -- 20th century -- Family relationships
Novelists, American -- 20th century -- Biography
Journalists -- United States -- Biography
Mothers and daughters -- United States
Widows -- United States -- Biography
Loss (Psychology)
Grief
Topic Heading: Grief

Available copies

  • 0 of 1 copy available at Parkland Regional.

Holds

  • 1 current hold with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Holdable? Status Due Date
Birtle 921 DID (Text) 35419001210500 Adult Non-Fiction Volume hold In transit -

  • Booklist Reviews : Booklist Reviews 2005 August #1
    /*Starred Review*/ Didion--a master essayist, great American novelist, and astute political observer--uses autobiography as a vehicle for tonic inquiries into both the self and society. In Where I Was From (2003), she meshed family history with an examination of America's romance with the West. Here, in her most personal and generous book to date, she chronicles a year of grief with her signature blend of intellectual rigor and deep feeling. The ordeal began on Christmas 2003 when Didion and her husband, the writer John Gregory Dunne, learn that their daughter, Quintana Roo, is in intensive care with severe pneumonia and septic shock. Five grim days later, Dunne and Didion come home from the hospital, sit down to dinner, and Dunne suffers "a sudden massive coronary event" and dies. Married for 40 years and sharing a passion for literature, they were inordinately close. But Didion could not give herself over to grief: Quintana's health went from bad to worse as she developed a life-threatening hematoma on her brain. She survived, and Didion had the wherewithal to cope: "In times of trouble, I had been trained since childhood, read, learn, work it up, go the literature. Information was control." So she researches grief, schools herself in her daughter's medical conditions, and monitors the flux of flashbacks and fears that strobe through her mind. Didion describes with compelling precision exactly how grief feels, and how it impairs rational thought and triggers "magical thinking." The result is a remarkably lucid and ennobling anatomy of grief, matched by a penetrating tribute to marriage, motherhood, and love. ((Reviewed August 2005)) Copyright 2005 Booklist Reviews.
  • BookPage Reviews : BookPage Reviews 2005 October
    Didion's year of grief

    After 40 years of marriage, writer Joan Didion did not have a single letter from her husband, writer John Gregory Dunne. This was because, with rare exceptions, the pair was together 24 hours a day. They worked together in California hotel rooms on movie scripts or down the hall from one another in their New York apartment on their respective essays and novels. "I could not count the times during an average day when something would come up that I needed to tell him," Didion writes. Returning home alone from the hospital where she has learned Dunne is dead—he collapsed and died as the couple was sitting down to dinner on December 30, 2003—Didion remembers "thinking that I needed to discuss this with John."

    The Year of Magical Thinking is Didion's slender, intensely personal, deeply moving and stylistically beautiful account of the year following her husband's death. It was a year in which Didion struggled with the belief that she could have and should have done something to prevent her husband's death ("I was thinking as small children think, as if my thoughts or wishes had the power to reverse the narrative, change the outcome."). It was a year in which she was constantly swept into a vortex of memories of the couple's former life. It was a year in which grief came in recursive, paralyzing waves. It was also a year in which the couple's only child, daughter Quintana Roo, was twice in a coma and not expected to live. [Tragically, Quintana died in late August, just weeks before Didion's book was published.]

    At the hospital on the night Dunne died, the social worker sent to be with Didion refers to her as "a pretty cool customer." Didion is surely one of the best prose stylists writing today, and her account is almost clinically precise. She is unsparing in her examination of the "derangement" she experienced after her husband's death and during her daughter's illness ("So profound was the isolation in which I was then operating that it did not immediately occur to me that for the mother of a patient to show up at the hospital wearing blue cotton scrubs could only be viewed as a suspicious violation of boundaries."). But The Year of Magical Thinking is anything but "cool." Instead, the book reverberates with passion and even, occasionally, ironic humor.

    "Grief turns out to be a place none of us know until we reach it," Didion writes. In The Year of Magical Thinking, she offers a powerful, personally revealing description of that place. Copyright 2005 BookPage Reviews.

  • Kirkus Reviews : Kirkus Reviews 2005 July #2
    A moving record of Didion's effort to survive the death of her husband and the near-fatal illness of her only daughter. In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman's life for several months to come. As her daughter struggled in a New York ICU, Didion's husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne's death, Didion found herself unable to accept her loss. By "magical thinking," Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband's clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In thew classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author's personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain. A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion's earlier writing.First printing of 60,000 Copyright Kirkus 2005 Kirkus/BPI Communications. All rights reserved.
  • Library Journal Reviews : LJ Reviews 2005 June #1
    Didion really did need some magical thinking at the end of 2003: in quick succession, daughter Quintana Roo went into septic shock, husband John Gregory Dunne died of a heart attack, and Quintana Roo, having recovered, suddenly required brain surgery for a hematoma. With an 11-city tour. Copyright 2005 Reed Business Information.
  • Library Journal Reviews : LJ Reviews 2005 September #1

    In her latest work of nonfiction, essayist, novelist, journalist, and screenwriter Didion (Slouching Towards Bethlehem ) chronicles the grief she suffered at her husband's passing. John Gregory Dunne's unexpected death of cardiac arrest in the winter of 2003 ended a marriage of nearly 40 years, and Didion examines her complicated responses to that loss, which included subtle forms of denial, illogical guilt, and a drive to get the facts of his passing absolutely straight. Her grieving process was interrupted and magnified by her daughter's concurrent struggle with a life-threatening illness. This book was started nine months after John's death and after their daughter's recovery, but before Didion was able to move past these traumatic events and continue with her own life. Consequently, the predominant atmosphere is one of authentic suspense that makes for a remarkable page-turner. As always, Didion's writing style is sheer and highly efficient. Strongly recommended for all libraries. [See Prepub Alert, LJ 6/1/05.]--Maria Kochis, California State Univ., Sacramento

    [Page 140]. Copyright 2005 Reed Business Information.
  • Library Journal Reviews : LJ Reviews Newsletter
    "You sit down to dinner, and life as you know it ends," Didion repeats in her hypnotic memoir about her life before and after the death of her husband, author John Gregory Dunne. In recounting her mourning with its mixture of loving reflections and painful second-guessing, she finds the words that eluded her for a year. An important addition to the literature of grief. (LJ 9/1/05) (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
  • Publishers Weekly Reviews : PW Reviews 2005 June #4
    Many will greet this taut, clear-eyed memoir of grief as a long-awaited return to the terrain of Didion's venerated, increasingly rare personal essays. The author of Slouching Towards Bethlehem and 11 other works chronicles the year following the death of her husband, fellow writer John Gregory Dunne, from a massive heart attack on December 30, 2003, while the couple's only daughter, Quintana, lay unconscious in a nearby hospital suffering from pneumonia and septic shock. Dunne and Didion had lived and worked side by side for nearly 40 years, and Dunne's death propelled Didion into a state she calls "magical thinking." "We might expect that we will be prostrate, inconsolable, crazy with loss," she writes. "We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes." Didion's mourning follows a traditional arc-she describes just how precisely it cleaves to the medical descriptions of grief-but her elegant rendition of its stages leads to hard-won insight, particularly into the aftereffects of marriage. "Marriage is not only time: it is also, paradoxically, the denial of time. For forty years I saw myself through John's eyes. I did not age." In a sense, all of Didion's fiction, with its themes of loss and bereavement, served as preparation for the writing of this memoir, and there is occasionally a curious hint of repetition, despite the immediacy and intimacy of the subject matter. Still, this is an indispensable addition to Didion's body of work and a lyrical, disciplined entry in the annals of mourning literature. Agent, Lynn Nesbit. 60,000 first printing; 11-city author tour. (Oct. 19) Copyright 2005 Reed Business Information.
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